David Altmejd

Born in Montreal in 1974, David  Altmejd lives and works in Los Angeles. Holding visual arts degrees from the Université du Québec à Montréal (UQAM) and Columbia University (New York), he is one of the most renowned Quebecois artists of his generation, both nationally and internationally. In 2007, Altmejd represented Canada at the Venice Biennale with an exhibition curated by Louise Déry. Since then, he has presented exhibitions in some of the world’s most prestigious institutions. His work is in many private and public collections, including those of UQAM, the Musée d’art contemporain de Montréal, Montreal Museum of Fine Arts, National Gallery of Canada, Art Gallery of Ontario, Solomon R. Guggenheim Museum (New York), Whitney Museum of American Art (New York ), Los Angeles Museum of Contemporary Art, Royal Museums of Fine Arts of Belgium (Brussels), and Musée d’art moderne Grand-Duc Jean (Luxembourg). Altmejd won the Sobey Art Award in 2009 and was made a Compagnon des arts et des lettres du Québec in 2015. He is represented by Xavier Hufkens (Brussels), White Cube (London and New York), and David Kordansky (Los Angeles).Born in Montreal in 1974, David  Altmejd lives and works in Los Angeles. Holding visual arts degrees from the Université du Québec à Montréal (UQAM) and Columbia University (New York), he is one of the most renowned Quebecois artists of his generation, both nationally and internationally. In 2007, Altmejd represented Canada at the Venice Biennale with an exhibition curated by Louise Déry. Since then, he has presented exhibitions in some of the world’s most prestigious institutions. His work is in many private and public collections, including those of UQAM, the Musée d’art contemporain de Montréal, Montreal Museum of Fine Arts, National Gallery of Canada, Art Gallery of Ontario, Solomon R. Guggenheim Museum (New York), Whitney Museum of American Art (New York ), Los Angeles Museum of Contemporary Art, Royal Museums of Fine Arts of Belgium (Brussels), and Musée d’art moderne Grand-Duc Jean (Luxembourg). Altmejd won the Sobey Art Award in 2009 and was made a Compagnon des arts et des lettres du Québec in 2015. He is represented by Xavier Hufkens (Brussels), White Cube (London and New York), and David Kordansky (Los Angeles).Born in Montreal in 1974, David  Altmejd lives and works in Los Angeles. Holding visual arts degrees from the Université du Québec à Montréal (UQAM) and Columbia University (New York), he is one of the most renowned Quebecois artists of his generation, both nationally and internationally. In 2007, Altmejd represented Canada at the Venice Biennale with an exhibition curated by Louise Déry. Since then, he has presented exhibitions in some of the world’s most prestigious institutions. His work is in many private and public collections, including those of UQAM, the Musée d’art contemporain de Montréal, Montreal Museum of Fine Arts, National Gallery of Canada, Art Gallery of Ontario, Solomon R. Guggenheim Museum (New York), Whitney Museum of American Art (New York ), Los Angeles Museum of Contemporary Art, Royal Museums of Fine Arts of Belgium (Brussels), and Musée d’art moderne Grand-Duc Jean (Luxembourg). Altmejd won the Sobey Art Award in 2009 and was made a Compagnon des arts et des lettres du Québec in 2015. He is represented by Xavier Hufkens (Brussels), White Cube (London and New York), and David Kordansky (Los Angeles).

Louise Déry

Louise Déry (PhD in art history) is the director of the Galerie de l’UQAM since 1997. Previously, she worked as a curator for the Musée national des beaux-arts du Québec and the Montreal Museum of Fine Arts and was the director of the Musée de Rimouski. She has curated a hundred exhibitions and edited as many publications in Canada and abroad featuring, in addition to David Altmejd, Nancy Spero, Dominique Blain, Sarkis, Françoise Sullivan, Michael Snow, Jean-Luc Nancy, Enrique Ramírez, Saodat Ismailova and Emmanuelle Léonard, to name just a few. The awards and distinctions she has received include the Hnatyshyn Foundation Mid - Career Award for Curatorial Excellence (2007), the Governor General’s Award in Visual and Media Arts (2015), the Ordre des Arts et des Lettres de France (2017), the Ordre des arts et des lettres du Québec (2021) and the Ordre national du Québec (2023).Louise Déry (PhD in art history) is the director of the Galerie de l’UQAM since 1997. Previously, she worked as a curator for the Musée national des beaux-arts du Québec and the Montreal Museum of Fine Arts and was the director of the Musée de Rimouski. She has curated a hundred exhibitions and edited as many publications in Canada and abroad featuring, in addition to David Altmejd, Nancy Spero, Dominique Blain, Sarkis, Françoise Sullivan, Michael Snow, Jean-Luc Nancy, Enrique Ramírez, Saodat Ismailova and Emmanuelle Léonard, to name just a few. The awards and distinctions she has received include the Hnatyshyn Foundation Mid - Career Award for Curatorial Excellence (2007), the Governor General’s Award in Visual and Media Arts (2015), the Ordre des Arts et des Lettres de France (2017), the Ordre des arts et des lettres du Québec (2021) and the Ordre national du Québec (2023).Louise Déry (PhD in art history) is the director of the Galerie de l’UQAM since 1997. Previously, she worked as a curator for the Musée national des beaux-arts du Québec and the Montreal Museum of Fine Arts and was the director of the Musée de Rimouski. She has curated a hundred exhibitions and edited as many publications in Canada and abroad featuring, in addition to David Altmejd, Nancy Spero, Dominique Blain, Sarkis, Françoise Sullivan, Michael Snow, Jean-Luc Nancy, Enrique Ramírez, Saodat Ismailova and Emmanuelle Léonard, to name just a few. The awards and distinctions she has received include the Hnatyshyn Foundation Mid - Career Award for Curatorial Excellence (2007), the Governor General’s Award in Visual and Media Arts (2015), the Ordre des Arts et des Lettres de France (2017), the Ordre des arts et des lettres du Québec (2021) and the Ordre national du Québec (2023).

David Altmejd and the Galerie de l’UQAM

Exhibitions

(* with publication)

Publications

Déry, Louise. David Altmejd. Agora. Montréal : Galerie de l’UQAM, 2026, 240 p., French and English.Déry, Louise. David Altmejd. Agora. Montréal : Galerie de l’UQAM, 2026, 240 p., French and English.Déry, Louise. David Altmejd. Agora. Montréal : Galerie de l’UQAM, 2026, 240 p., French and English.

Déry, Louise. David Altmejd. Agora. Montréal : Galerie de l’UQAM, 2026, 240 p., French and English.Déry, Louise. David Altmejd. Agora. Montréal : Galerie de l’UQAM, 2026, 240 p., French and English.Déry, Louise. David Altmejd. Agora. Montréal : Galerie de l’UQAM, 2026, 240 p., French and English.

Déry, Louise. David Altmejd. The Index (Biennale de Venise). Montréal : Galerie de l’UQAM, 2007, 72 p., French. English and Italian.Déry, Louise. David Altmejd. The Index (Biennale de Venise). Montréal : Galerie de l’UQAM, 2007, 72 p., French. English and Italian.Déry, Louise. David Altmejd. The Index (Biennale de Venise). Montréal : Galerie de l’UQAM, 2007, 72 p., French. English and Italian.

Déry, Louise. David Altmejd. The Index (Biennale de Venise). Montréal : Galerie de l’UQAM, 2007, 72 p., French. English and Italian.Déry, Louise. David Altmejd. The Index (Biennale de Venise). Montréal : Galerie de l’UQAM, 2007, 72 p., French. English and Italian.Déry, Louise. David Altmejd. The Index (Biennale de Venise). Montréal : Galerie de l’UQAM, 2007, 72 p., French. English and Italian.

Déry, Louise. David Altmejd. Montréal : Galerie de l’UQAM, 2006, 112 p., French and English.Déry, Louise. David Altmejd. Montréal : Galerie de l’UQAM, 2006, 112 p., French and English.Déry, Louise. David Altmejd. Montréal : Galerie de l’UQAM, 2006, 112 p., French and English.

Déry, Louise. David Altmejd. Montréal : Galerie de l’UQAM, 2006, 112 p., French and English.Déry, Louise. David Altmejd. Montréal : Galerie de l’UQAM, 2006, 112 p., French and English.Déry, Louise. David Altmejd. Montréal : Galerie de l’UQAM, 2006, 112 p., French and English.

Déry, Louise. Metamorfoz, Métamorphoses, Metamorphosis. Montréal : Galerie de l’UQAM ; Istanbul : Akbank Sanat, 2008, 102 p., French, English and Turkish.Déry, Louise. Metamorfoz, Métamorphoses, Metamorphosis. Montréal : Galerie de l’UQAM ; Istanbul : Akbank Sanat, 2008, 102 p., French, English and Turkish.Déry, Louise. Metamorfoz, Métamorphoses, Metamorphosis. Montréal : Galerie de l’UQAM ; Istanbul : Akbank Sanat, 2008, 102 p., French, English and Turkish.

Déry, Louise. Metamorfoz, Métamorphoses, Metamorphosis. Montréal : Galerie de l’UQAM ; Istanbul : Akbank Sanat, 2008, 102 p., French, English and Turkish.Déry, Louise. Metamorfoz, Métamorphoses, Metamorphosis. Montréal : Galerie de l’UQAM ; Istanbul : Akbank Sanat, 2008, 102 p., French, English and Turkish.Déry, Louise. Metamorfoz, Métamorphoses, Metamorphosis. Montréal : Galerie de l’UQAM ; Istanbul : Akbank Sanat, 2008, 102 p., French, English and Turkish.

Déry, Louise et Anne-Marie Ninacs. Point de chute. Montréal : Galerie de l’UQAM, 2001, 112 p., French.Déry, Louise et Anne-Marie Ninacs. Point de chute. Montréal : Galerie de l’UQAM, 2001, 112 p., French.Déry, Louise et Anne-Marie Ninacs. Point de chute. Montréal : Galerie de l’UQAM, 2001, 112 p., French.

Déry, Louise et Anne-Marie Ninacs. Point de chute. Montréal : Galerie de l’UQAM, 2001, 112 p., French.Déry, Louise et Anne-Marie Ninacs. Point de chute. Montréal : Galerie de l’UQAM, 2001, 112 p., French.Déry, Louise et Anne-Marie Ninacs. Point de chute. Montréal : Galerie de l’UQAM, 2001, 112 p., French.

Group Exhibitions

2024-20252024-20252024-2025

2024-20252024-20252024-2025

Inventaires d’une collection, Galerie de l’UQAM
Group Exhibitions: Lisa Bouraly, Marie Fraser, Louis-Charles Lasnier
Inventaires d’une collection, Galerie de l’UQAM
Group Exhibitions: Lisa Bouraly, Marie Fraser, Louis-Charles Lasnier
Inventaires d’une collection, Galerie de l’UQAM
Group Exhibitions: Lisa Bouraly, Marie Fraser, Louis-Charles Lasnier

Inventaires d’une collection, Galerie de l’UQAM
Group Exhibitions: Lisa Bouraly, Marie Fraser, Louis-Charles Lasnier
Inventaires d’une collection, Galerie de l’UQAM
Group Exhibitions: Lisa Bouraly, Marie Fraser, Louis-Charles Lasnier
Inventaires d’une collection, Galerie de l’UQAM
Group Exhibitions: Lisa Bouraly, Marie Fraser, Louis-Charles Lasnier

201020102010

201020102010

Expansion, Galerie de l’UQAM
Curators: Louise Déry, Audrey Genois
Expansion, Galerie de l’UQAM
Curators: Louise Déry, Audrey Genois
Expansion, Galerie de l’UQAM
Curators: Louise Déry, Audrey Genois

Expansion, Galerie de l’UQAM
Curators: Louise Déry, Audrey Genois
Expansion, Galerie de l’UQAM
Curators: Louise Déry, Audrey Genois
Expansion, Galerie de l’UQAM
Curators: Louise Déry, Audrey Genois

200820082008

200820082008

*Metamorfoz, Métamorphoses, Metamorphosis, Akbank Sanat, Istanbul
Curator: Louise Déry
*Metamorfoz, Métamorphoses, Metamorphosis, Akbank Sanat, Istanbul
Curator: Louise Déry
*Metamorfoz, Métamorphoses, Metamorphosis, Akbank Sanat, Istanbul
Curator: Louise Déry

*Metamorfoz, Métamorphoses, Metamorphosis, Akbank Sanat, Istanbul
Curator: Louise Déry
*Metamorfoz, Métamorphoses, Metamorphosis, Akbank Sanat, Istanbul
Curator: Louise Déry
*Metamorfoz, Métamorphoses, Metamorphosis, Akbank Sanat, Istanbul
Curator: Louise Déry

200120012001

200120012001

*Point de chute, Galerie de l’UQAM
Curator: Louise Déry
Touring: Centre d’Art Contemporain de Bruxelles (2002)
*Point de chute, Galerie de l’UQAM
Curator: Louise Déry
Touring: Centre d’Art Contemporain de Bruxelles (2002)
*Point de chute, Galerie de l’UQAM
Curator: Louise Déry
Touring: Centre d’Art Contemporain de Bruxelles (2002)

*Point de chute, Galerie de l’UQAM
Curator: Louise Déry
Touring: Centre d’Art Contemporain de Bruxelles (2002)
*Point de chute, Galerie de l’UQAM
Curator: Louise Déry
Touring: Centre d’Art Contemporain de Bruxelles (2002)
*Point de chute, Galerie de l’UQAM
Curator: Louise Déry
Touring: Centre d’Art Contemporain de Bruxelles (2002)

199719971997

199719971997

Printemps plein temps, Galerie de l’UQAMPrintemps plein temps, Galerie de l’UQAMPrintemps plein temps, Galerie de l’UQAM

Collection d’œuvres d’art de l’UQAM

First Werewolf, 1999
Wood, lighting system, acetate, mylar, Plexiglas, synthetic foams, plaster, paint, sculpy, synthetic
hair, rhinestones
232 x 200 x 244 cm
[2010.8]
Work purchased with the assistance of the York Wilson Endowment Award, administered by the Canada Council for the Arts, and gift of the artist.
First Werewolf, 1999
Wood, lighting system, acetate, mylar, Plexiglas, synthetic foams, plaster, paint, sculpy, synthetic
hair, rhinestones
232 x 200 x 244 cm
[2010.8]
Work purchased with the assistance of the York Wilson Endowment Award, administered by the Canada Council for the Arts, and gift of the artist.
First Werewolf, 1999
Wood, lighting system, acetate, mylar, Plexiglas, synthetic foams, plaster, paint, sculpy, synthetic
hair, rhinestones
232 x 200 x 244 cm
[2010.8]
Work purchased with the assistance of the York Wilson Endowment Award, administered by the Canada Council for the Arts, and gift of the artist.

First Werewolf, 1999
Wood, lighting system, acetate, mylar, Plexiglas, synthetic foams, plaster, paint, sculpy, synthetic
hair, rhinestones
232 x 200 x 244 cm
[2010.8]
Work purchased with the assistance of the York Wilson Endowment Award, administered by the Canada Council for the Arts, and gift of the artist.
First Werewolf, 1999
Wood, lighting system, acetate, mylar, Plexiglas, synthetic foams, plaster, paint, sculpy, synthetic
hair, rhinestones
232 x 200 x 244 cm
[2010.8]
Work purchased with the assistance of the York Wilson Endowment Award, administered by the Canada Council for the Arts, and gift of the artist.
First Werewolf, 1999
Wood, lighting system, acetate, mylar, Plexiglas, synthetic foams, plaster, paint, sculpy, synthetic
hair, rhinestones
232 x 200 x 244 cm
[2010.8]
Work purchased with the assistance of the York Wilson Endowment Award, administered by the Canada Council for the Arts, and gift of the artist.

La charge, 2016
Bronze, paint
182,5 x 52 x 48 cm
Édition 2/3
[2025.1]
La charge, 2016
Bronze, paint
182,5 x 52 x 48 cm
Édition 2/3
[2025.1]
La charge, 2016
Bronze, paint
182,5 x 52 x 48 cm
Édition 2/3
[2025.1]

La charge, 2016
Bronze, paint
182,5 x 52 x 48 cm
Édition 2/3
[2025.1]
La charge, 2016
Bronze, paint
182,5 x 52 x 48 cm
Édition 2/3
[2025.1]
La charge, 2016
Bronze, paint
182,5 x 52 x 48 cm
Édition 2/3
[2025.1]

Le larsen, 2025
Epoxy clay, epoxy gel, resin, synthetic foams, glass, glass paint, acrylic paint, graphite pencil, metallic foil, wood
31,8 x 19,1 x 26,7 cm
[2026.1]
Le larsen, 2025
Epoxy clay, epoxy gel, resin, synthetic foams, glass, glass paint, acrylic paint, graphite pencil, metallic foil, wood
31,8 x 19,1 x 26,7 cm
[2026.1]
Le larsen, 2025
Epoxy clay, epoxy gel, resin, synthetic foams, glass, glass paint, acrylic paint, graphite pencil, metallic foil, wood
31,8 x 19,1 x 26,7 cm
[2026.1]

Le larsen, 2025
Epoxy clay, epoxy gel, resin, synthetic foams, glass, glass paint, acrylic paint, graphite pencil, metallic foil, wood
31,8 x 19,1 x 26,7 cm
[2026.1]
Le larsen, 2025
Epoxy clay, epoxy gel, resin, synthetic foams, glass, glass paint, acrylic paint, graphite pencil, metallic foil, wood
31,8 x 19,1 x 26,7 cm
[2026.1]
Le larsen, 2025
Epoxy clay, epoxy gel, resin, synthetic foams, glass, glass paint, acrylic paint, graphite pencil, metallic foil, wood
31,8 x 19,1 x 26,7 cm
[2026.1]

Agora 1 – Agora 8, 2025
Graphite pencil, coloured pencil, glass rhinestones
45,5 × 30,5 cm (unframed)
[2026.2-9]
Agora 1 – Agora 8, 2025
Graphite pencil, coloured pencil, glass rhinestones
45,5 × 30,5 cm (unframed)
[2026.2-9]
Agora 1 – Agora 8, 2025
Graphite pencil, coloured pencil, glass rhinestones
45,5 × 30,5 cm (unframed)
[2026.2-9]

Agora 1 – Agora 8, 2025
Graphite pencil, coloured pencil, glass rhinestones
45,5 × 30,5 cm (unframed)
[2026.2-9]
Agora 1 – Agora 8, 2025
Graphite pencil, coloured pencil, glass rhinestones
45,5 × 30,5 cm (unframed)
[2026.2-9]
Agora 1 – Agora 8, 2025
Graphite pencil, coloured pencil, glass rhinestones
45,5 × 30,5 cm (unframed)
[2026.2-9]

Acknowledgements

David Altmejd and Louise Déry wish to express their gratitude to the individuals and institutions that contributed to the realization of the virtual exhibition David Altmejd. Agora, in particular the Université du Québec à Montréal, the Fondation de l’UQAM, as well as the galleries Xavier Hufkens (Brussels), White Cube (London and New York), and David Kordansky (Los Angeles), along with the Canada Council for the Arts and the Conseil des arts et des lettres du Québec.

They extend their special thanks to Émile Doyon and Maude Turgeon of the Demande spéciale agency; Anne Philippon, assistant curator at the Galerie de l’UQAM, for her important coordination of all aspects of the David Altmejd. Agora project; as well as the artist’s assistant Tristan Lajarrige, filmmakers Isabelle Darveau and Geneviève Philippon, and photographers Paul Litherland and Philippe Chevrette for the quality of the images that enrich the exhibition. Finally, they express their deepest gratitude to the entire Galerie de l’UQAM team for their commitment and professionalism: Sandrine Bélanger, Philippe Chevrette, Emma à Garon, Léa Lanthier-Lapierre, Christine Lenoir, Johane Levesque, Frédérique Marchand, Anne Philippon, and Camille Rémillard-Vigneault.
David Altmejd and Louise Déry wish to express their gratitude to the individuals and institutions that contributed to the realization of the virtual exhibition David Altmejd. Agora, in particular the Université du Québec à Montréal, the Fondation de l’UQAM, as well as the galleries Xavier Hufkens (Brussels), White Cube (London and New York), and David Kordansky (Los Angeles), along with the Canada Council for the Arts and the Conseil des arts et des lettres du Québec.

They extend their special thanks to Émile Doyon and Maude Turgeon of the Demande spéciale agency; Anne Philippon, assistant curator at the Galerie de l’UQAM, for her important coordination of all aspects of the David Altmejd. Agora project; as well as the artist’s assistant Tristan Lajarrige, filmmakers Isabelle Darveau and Geneviève Philippon, and photographers Paul Litherland and Philippe Chevrette for the quality of the images that enrich the exhibition. Finally, they express their deepest gratitude to the entire Galerie de l’UQAM team for their commitment and professionalism: Sandrine Bélanger, Philippe Chevrette, Emma à Garon, Léa Lanthier-Lapierre, Christine Lenoir, Johane Levesque, Frédérique Marchand, Anne Philippon, and Camille Rémillard-Vigneault.
David Altmejd and Louise Déry wish to express their gratitude to the individuals and institutions that contributed to the realization of the virtual exhibition David Altmejd. Agora, in particular the Université du Québec à Montréal, the Fondation de l’UQAM, as well as the galleries Xavier Hufkens (Brussels), White Cube (London and New York), and David Kordansky (Los Angeles), along with the Canada Council for the Arts and the Conseil des arts et des lettres du Québec.

They extend their special thanks to Émile Doyon and Maude Turgeon of the Demande spéciale agency; Anne Philippon, assistant curator at the Galerie de l’UQAM, for her important coordination of all aspects of the David Altmejd. Agora project; as well as the artist’s assistant Tristan Lajarrige, filmmakers Isabelle Darveau and Geneviève Philippon, and photographers Paul Litherland and Philippe Chevrette for the quality of the images that enrich the exhibition. Finally, they express their deepest gratitude to the entire Galerie de l’UQAM team for their commitment and professionalism: Sandrine Bélanger, Philippe Chevrette, Emma à Garon, Léa Lanthier-Lapierre, Christine Lenoir, Johane Levesque, Frédérique Marchand, Anne Philippon, and Camille Rémillard-Vigneault.

Galerie de l’UQAM

Located in the heart of downtown Montreal and embedded in the Université du Québec à Montréal, Galerie de l’UQAM produces and presents contemporary art from Quebec, Canada and abroad. The majority of its exhibitions are curated by recognized professionals. It investigates various concerns connected with the work of established artists, at the same time giving attention to emerging currents and to the work of students in visual and media arts, art history and museology. Galerie de l’UQAM also has a mandate t o conserve, manage and disseminate the Collection d’œuvres d’art de l’UQAM. Concious of the need to preserve a record of the content of its events, it fosters the writing and promotion of high-level specialized publications, which are distributed in Americ a and Europe and listed in various international contemporary art directories.

The Galerie de l’UQAM is a university gallery supported operationally by the Canada Council for the Arts and the Conseil des arts et des lettres du Québec.
Located in the heart of downtown Montreal and embedded in the Université du Québec à Montréal, Galerie de l’UQAM produces and presents contemporary art from Quebec, Canada and abroad. The majority of its exhibitions are curated by recognized professionals. It investigates various concerns connected with the work of established artists, at the same time giving attention to emerging currents and to the work of students in visual and media arts, art history and museology. Galerie de l’UQAM also has a mandate t o conserve, manage and disseminate the Collection d’œuvres d’art de l’UQAM. Concious of the need to preserve a record of the content of its events, it fosters the writing and promotion of high-level specialized publications, which are distributed in Americ a and Europe and listed in various international contemporary art directories.

The Galerie de l’UQAM is a university gallery supported operationally by the Canada Council for the Arts and the Conseil des arts et des lettres du Québec.
Located in the heart of downtown Montreal and embedded in the Université du Québec à Montréal, Galerie de l’UQAM produces and presents contemporary art from Quebec, Canada and abroad. The majority of its exhibitions are curated by recognized professionals. It investigates various concerns connected with the work of established artists, at the same time giving attention to emerging currents and to the work of students in visual and media arts, art history and museology. Galerie de l’UQAM also has a mandate t o conserve, manage and disseminate the Collection d’œuvres d’art de l’UQAM. Concious of the need to preserve a record of the content of its events, it fosters the writing and promotion of high-level specialized publications, which are distributed in Americ a and Europe and listed in various international contemporary art directories.

The Galerie de l’UQAM is a university gallery supported operationally by the Canada Council for the Arts and the Conseil des arts et des lettres du Québec.

Credits

Curator and Author:
Louise Déry
Curator and Author:
Louise Déry
Curator and Author:
Louise Déry

Direction:
Louise Déry
Direction:
Louise Déry
Direction:
Louise Déry

Coordination:
Anne Philippon
Coordination:
Anne Philippon
Coordination:
Anne Philippon

French Editing:
Claire Valade, Dominique Vallerand
French Editing:
Claire Valade, Dominique Vallerand
French Editing:
Claire Valade, Dominique Vallerand

French-to-English Translation:
Donald Pistolesi 
French-to-English Translation:
Donald Pistolesi 
French-to-English Translation:
Donald Pistolesi 

Proofreading:
Emma Garon, Léa Lanthier-Lapierre, Anne Philippon, Camille Rémillard-Vigneault
Proofreading:
Emma Garon, Léa Lanthier-Lapierre, Anne Philippon, Camille Rémillard-Vigneault
Proofreading:
Emma Garon, Léa Lanthier-Lapierre, Anne Philippon, Camille Rémillard-Vigneault

Photo Credits:
Flying Studio, Galerie de l’UQAM, David Kordansky, Paul Litherland, David Westwood
Photo Credits:
Flying Studio, Galerie de l’UQAM, David Kordansky, Paul Litherland, David Westwood
Photo Credits:
Flying Studio, Galerie de l’UQAM, David Kordansky, Paul Litherland, David Westwood

Video Documentation:
dedansdehors.video, Tristan Lajarrige
Video Documentation:
dedansdehors.video, Tristan Lajarrige
Video Documentation:
dedansdehors.video, Tristan Lajarrige

Graphic Design:
Demande Spéciale (created in regard to the design of the exhibition catalogue of the same title designed by Marc-André Roy)
Graphic Design:
Demande Spéciale (created in regard to the design of the exhibition catalogue of the same title designed by Marc-André Roy)
Graphic Design:
Demande Spéciale (created in regard to the design of the exhibition catalogue of the same title designed by Marc-André Roy)

Programming:Programming:Programming:

Copyright

All rights reserved
© David Altmejd, Louise Déry, Galerie de l’UQAM, 2026
© Demande Spéciale, 2026

All content on this website (texts, images, photographs, artworks, illustrations, logos and other materials) is protected by copyright and intellectual property laws. Any reproduction, distribution, modification or use, in whole or in part, is strictly prohibited without prior written permission.
All rights reserved
© David Altmejd, Louise Déry, Galerie de l’UQAM, 2026
© Demande Spéciale, 2026

All content on this website (texts, images, photographs, artworks, illustrations, logos and other materials) is protected by copyright and intellectual property laws. Any reproduction, distribution, modification or use, in whole or in part, is strictly prohibited without prior written permission.
All rights reserved
© David Altmejd, Louise Déry, Galerie de l’UQAM, 2026
© Demande Spéciale, 2026

All content on this website (texts, images, photographs, artworks, illustrations, logos and other materials) is protected by copyright and intellectual property laws. Any reproduction, distribution, modification or use, in whole or in part, is strictly prohibited without prior written permission.